I haven’t run across this site before, but I like the way it’s laid out. It gives a non-spoiler summary, plus trivia about the author, where to find the story and says “if you like this then you’ll like…”

Anyway, I thought it was a nifty site and worth pointing out.

Sliding his hands over the clay, Sly relished the moisture oozing around his fingers. The clay matted down the hair on the back of his hands making them look almost human. He turned the potter’s wheel with his prehensile feet as he shaped the vase. Pinching the clay between his fingers he lifted the wall of the vase, spinning it higher.

Someone banged on the window of his pen. Sly jumped and then screamed as the vase collapsed under its own weight. He spun and hurled it at the picture window like feces. The clay spattered against the Plexiglas, sliding down the window.

via Escape Pod » EP196: Evil Robot Monkey.

“Evil Robot Monkey” is a heartbreaking and surprising story. The title might suggest a little robot monkey being destructive and nasty, but Mary Kowal tells a different and unexpected story. The titular monkey is introduced working a potter’s wheel, making a vase. Then…

via Adventures in Reading: Hugo Award Nominee: “Evil Robot Monkey”.

That first surge is Evil Robot Monkey. The second is the Giant Block of Foam.

You may download a .pdf in the form of a mini-chapbook, illustrated by me. I do layout the way other people doodle and made this while I was waiting for the announcement to go live.

Or you could listen to me read it. Six minutes of science-fiction.

Evil Robot Monkey, by Mary Robinette Kowal

Edited to add: Andrew Neely very kindly converted the audio to an M4B (iTunes audiobook) version.

Or, you can skip after the cut and read the story right here.

Evil Robot Monkey

by Mary Robinette Kowal

Sliding his hands over the clay, Sly relished the moisture oozing around his fingers. The clay matted down the hair on the back of his hands making them look almost human. He turned the potter’s wheel with his prehensile feet as he shaped the vase. Pinching the clay between his fingers he lifted the wall of the vase, spinning it higher.

Someone banged on the window of his pen. Sly jumped and then screamed as the vase collapsed under its own weight. He spun and hurled it at the picture window like feces. The clay spattered against the Plexiglas, sliding down the window.

In the courtyard beyond the glass, a group of school kids leapt back, laughing. One of them swung his arms aping Sly crudely. Sly bared his teeth, knowing these people would take it as a grin, but he meant it as a threat. Swinging down from his stool, he crossed his room in three long strides and pressed his dirty hand against the window. Still grinning, he wrote SSA. Outside, the letters would be reversed.

The student’s teacher flushed as red as a female in heat and called the children away from the window. She looked back once as she led them out of the courtyard, so Sly grabbed himself and showed her what he would do if she came into his pen.

Her naked face turned brighter red and she hurried away. When they were gone, Sly rested his head against the glass. The metal in his skull thunked against the window. It wouldn’t be long now, before a handler came to talk to him.

Damn.

He just wanted to make pottery. He loped back to the wheel and sat down again with his back to the window. Kicking the wheel into movement, Sly dropped a new ball of clay in the center and tried to lose himself.

In the corner of his vision, the door to his room snicked open. Sly let the wheel spin to a halt, crumpling the latest vase.

Vern poked his head through. He signed, “You okay?”

Sly shook his head emphatically and pointed at the window.

“Sorry.” Vern’s hands danced. “We should have warned you that they were coming.”

“You should have told them that I was not an animal.”

Vern looked down in submission. “I did. They’re kids.”

“And I’m a chimp. I know.” Sly buried his fingers in the clay to silence his thoughts.

“It was Delilah. She thought you wouldn’t mind because the other chimps didn’t.”

Sly scowled and yanked his hands free. “I’m not like the other chimps.” He pointed to the implant in his head. “Maybe Delilah should have one of these. Seems like she needs help thinking.”

“I’m sorry.” Vern knelt in front of Sly, closer than anyone else would come when he wasn’t sedated. It would be so easy to reach out and snap his neck. “It was a lousy thing to do.”

Sly pushed the clay around on the wheel. Vern was better than the others. He seemed to understand the hellish limbo where Sly lived–too smart to be with other chimps, but too much of an animal to be with humans. Vern was the one who had brought Sly the potter’s wheel which, by the Earth and Trees, Sly loved. Sly looked up and raised his eyebrows. “So what did they think of my show?”

Vern covered his mouth, masking his smile. The man had manners. “The teacher was upset about the ‘evil robot monkey.’”

Sly threw his head back and hooted. Served her right.

“But Delilah thinks you should be disciplined.” Vern, still so close that Sly could reach out and break him, stayed very still. “She wants me to take the clay away since you used it for an anger display.”

Sly’s lips drew back in a grimace built of anger and fear. Rage threatened to blind him, but he held on, clutching the wheel. If he lost it with Vern–rational thought danced out of his reach. Panting, he spun the wheel trying to push his anger into the clay.

The wheel spun. Clay slid between his fingers. Soft. Firm and smooth. The smell of earth lived in his nostrils. He held the world in his hands. Turning, turning, the walls rose around a kernel of anger, subsuming it.

His heart slowed with the wheel and Sly blinked, becoming aware again as if he were slipping out of sleep. The vase on the wheel still seemed to dance with life. Its walls held the shape of the world within them. He passed a finger across the rim.

Vern’s eyes were moist. “Do you want me to put that in the kiln for you?”

Sly nodded.

“I have to take the clay. You understand that, don’t you.”

Sly nodded again staring at his vase. It was beautiful.

Vern scowled. “The woman makes me want to hurl feces.”

Sly snorted at the image, then sobered. “How long before I get it back?”

Vern picked up the bucket of clay next to the wheel. “I don’t know.” He stopped at the door and looked past Sly to the window. “I’m not cleaning your mess. Do you understand me?”

For a moment, rage crawled on his spine, but Vern did not meet his eyes and kept staring at the window. Sly turned.

The vase he had thrown lay on the floor in a pile of clay.

Clay.

“I understand.” He waited until the door closed, then loped over and scooped the clay up. It was not much, but it was enough for now.

Sly sat down at his wheel and began to turn.

END

The audio version of “Evil Robot Monkey” by Mary Robinette Kowal is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.
Based on a work at www.solarisbooks.com.

Short form:

My story, “Evil Robot Monkey” has been nominated for a Hugo!

!!!!

Longform:

Jodi and I had a show last Thursday night and went out afterwards with his sweetie, Sam, to hang and celebrate that it went pretty darn well. About 10:30, I pulled out my G1 to check the time and it was open to email.

The top message had the subject line, “Contact: Hugo Nomination.”

Jodi and Sam ceased to exist for a moment (Sorry, fellows) and I opened the email. As I read it, a grin spread across my face and I looked up, totally cutting Sam off. “Gentlemen, I’ve just been nominated for a Hugo.”

None of us could shriek but they were as appropriately enthusiastic as a girl could wish. I know we talked about other things afterwards, but my head was totally wrapped up in HUGO!

Holy cow! My story. A Hugo nominee!!!!

And I have to keep it a secret. Do you have any idea how painful it is to hang out with SF folks when you’re holding in something like this? I’m distracting myself by shopping for a dress. I think that’s reasonable, don’t you?

It’s a great examination of art and the creative process, and what it feels like to be an artist who’s looked at merely as a curiosity or as a momentary amusement for child barbarians. And art as a containment device for impotent rage.

Also, you have to check out the illustration that goes with the review.

via Afternoon Listening: The Evil Robot Monkey Just Wants To Create.

Um.  Whoa.

The science fiction and fantasy community likes to honour the writers in its ranks, and no honour comes higher for new writers than the John W Campbell award. Previous winners include Orson Scott Card, Stephen Donaldson and Cory Doctorow, so it’s certainly worth watching. This year, Mary Robinette Kowal beat a strong shortlist to scoop the award on the basis of a clutch of well-crafted short stories that showcase her emotional deftness while still telling strange and exhilarating stories in the SF tradition.

Thanks Mr. Walter!  This is an excellent pre-birthday present.

Here, let me offer a party favor!   This is an audio version of “Evil Robot Monkey” from the 2008 edition of the Solaris New Book of Science Fiction.

via Damien Walter on exciting new SF and fantasy writers | Books | guardian.co.uk.

My stories:
Nails in my Feet
Trip, Trap, Tripping
http://ljsummit.com/wordpress/evil-robot-monkey-by-mary-robinette-kowal

Things we read together:
Denise Jones, Super Booker by John Scalzi
The State of Super Villiany by John Scalzi

Scalzi, solo:
Missives from Possible Futures #1: Alternative History Search Results

“Evil Robot Monkey” will be appearing in Gardner Dozois’s Year’s Best Science Fiction. You know, there were anthologies that I regularly bought before I started writing seriously. This is one of them, because the selections were always thought-provoking and that’s what I loved about SF. And to have one of my stories in there… I’m stunned.

And not using nearly enough exclamation points for the occasion.

Here’s a snippet of Evil Robot Monkey, as a teaser.

Sliding his hands over the clay, Sly relished the moisture oozing around his fingers. The clay matted down the hair on the back of his hands making them look almost human. He turned the potter’s wheel with his prehensile feet as he shaped the vase. Pinching the clay between his fingers he lifted the wall of the vase, spinning it higher.

I’ll let you know when the book is available for pre-order.

Here you go. Six minutes of science-fiction.

Sliding his hands over the clay, Sly relished the moisture oozing around his fingers. The clay matted down the hair on the back of his hands making them look almost human. He turned the potter’s wheel with his prehensile feet as he shaped the vase. Pinching the clay between his fingers he lifted the wall of the vase, spinning it higher.

Someone banged on the window of his pen. Sly jumped and then screamed as the vase collapsed under its own weight. He spun and hurled it at the picture window like feces. The clay spattered against the Plexiglas, sliding down the window.

The audio version of “Evil Robot Monkey” by Mary Robinette Kowal is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.
Based on a work at www.solarisbooks.com.

Mary Robinette Kowal’s “Evil Robot Monkey,” the shortest piece in this anthology, is a smart tale about monkeys with implants and a cautionary tale of how intelligence can sometimes be very lonely.

Early in 2007 the science-fiction imprint Solaris marked its launch with The Solaris Book of New Science Fiction. A year later, editor George Mann returns with a follow-up, this time featuring strong stories from Kay Kenyon, Michael Moorcock, Mary Robinette Kowal, Eric Brown and others.

I’m so stunned that all I can see is “stories from celebrity, celebrity, me, celebrity…”

It contained my contributor copies The Solaris Book of New Science Fiction, volume two. Keen!

I want to give a shout out Mike Munsil, who created Liberty Hall Writers, an online group that does weekly flash challenges. My story, “Evil Robot Monkey” came out of one of those. Each weekend, you get a trigger and then have an hour and a half to write a story.

The story itself is sort of the product of two triggers. See, at Shimmer we have a running gag which stemmed from when we were testing the submission system. Beth sent in a trial submission called “Harry Potter and the Evil Robt Monkeys!” ((The misspelling is intentional. You’d be amazed by how many people send in stories with misspellings within the first five lines.)) Brilliant. I decided that whatever the trigger was, my story would have that title. The trigger itself was a piece of clockwork art.

Here’s the first bit of the story.

Sliding his hands over the clay, Sly relished the moisture oozing around his fingers. The clay matted down the hair on the back of his hands making them look almost human. He turned the potter’s wheel with his prehensile feet as he shaped the vase. Pinching the clay between his fingers he lifted the wall of the vase, spinning it higher.

You can see that I kept the hairy potter.

I couldn’t be more pleased. I had a long chat with the Solaris gentlemen, George Mann and Christian Dunn, at Readercon about robot monkeys. It was bar conversation, but I just happened to have this short called “Evil Robot Monkey” and on a whim I sent it over thinking they would get a laugh out of the title.

I didn’t realize that they were actively reading for an anthology.

Behold! A sale. Remember back when I was watching the paint dry and said I had three good things I couldn’t mention yet? This is number 2.

Here’s a teaser snippet of the first few lines for you.

Sliding his hands over the clay, Sly relished the moisture oozing around his fingers. The clay matted down the hair on the back of his hands making them look almost human. He turned the potter’s wheel with his prehensile feet as he shaped the vase. Pinching the clay between his fingers he lifted the wall of the vase, spinning it higher.

I’ll let you know when the book is available for pre-order.