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Reviews

"Another surprising thing happened when I came to 'Cerbo en Vitra ujo' by Mary Robinette Kowal. What started out as an almost light-hearted piece that could've been 'romance in space' suddenly dovetailed into dark regions... Suffice to say the conclusion is unprecedented and I cannot say more than this. Only readers with a strong stomach may apply."
--Matthew Tait, Horror Scope

"Mary Robinette Kowal's Icelandic-inspired Bound Man is a gem, featuring derring-do, swordplay and time travel. Well worth the price of admission."
--Chris Gerrib

"...a gripping tale, blending sex and violence to an exciting conclusion."
--Marshall Payne, Tangent Online

"For all its brevity and apparent simplicity, this story packs a strong emotional punch. Beautifully, quietly done."
--Janice Tilton, Internet Review of Science Fiction

"Wonderful story. And a good, low-key, but chilling reading."
--Orson Scott Card

"Cerbo en Vitra ujo" by Mary Robinette Kowal is a chilling story about a naive girl investigating the disappearance of her boyfriend.
--Sam Tamiano, SFRevu

"In 'Portrait of Ari,' Mary Robinette Kowal presents the reader with vivid imagery and some very tight descriptive passages. She gives us a nightmarish scenario which hooks the reader in quickly, as reality flickers back and forth between two possible outcomes."
--Jason Fisher, Tangent Online

"I'm reluctant to say that Cerbo en Vitra ujo by Mary Robinette Kowal is my favorite story. I think perhaps to know for sure I'd had to read it again and I'm not planning to do that anytime soon. Cerbo sunk its scalpels into me and drug me along for a ride. I had a good idea close to the beginning where it was headed. But that doesn't mean it didn't take me there like a double mocha moolatte smothered in smooth chocolate. Oh yes, I slid right through Cerbo, landing at the end wrapped in goo and trepidation."
--Michelle Lee

Mary Robinette Kowal's "Evil Robot Monkey" (originally reviewed in The Solaris Book of New Science Fiction, Volume 2 edited by George Mann) is an affecting snapshot in the life of a chimp with an implant in his head that increases his intelligence. Unfortunately for him, that lands him in the "hellish limbo" of being "too smart to be with other chimps, but too much of an animal to be with humans." He becomes the subject of ridicule of children in what is presumably a school where he spends his time behind a pottery wheel. The interesting premise is delicately overlaid with emotion by having a single human show the chimp some compassion, resulting in a quick-and-dirty sf short story that is both charming and memorable.
--John Denardo, SF Signal

"Most successful is 'Bound Man,' Mary Robinette Kowal's stark re-humanization of the hero archetype. When the soldier-priest Halldor, hard-pressed by foes, chants the spell to summon the legendary warrior Li Reiko, he has no idea that he is in fact bringing her out of the past, separating her from her children and the life she knows and setting in motion the chain of events that leads to the development of his own culture. As she struggles to adapt to her new reality, Reiko's grief and anger stand in sharp contrast to the usual devil-may-care attitude of mythical heroes."
--Rose Fox, Strange Horizons

"My favorite story in this collection is 'Bound Man' by Mary Robinette Kowal. ... Written in lucid prose, this tale has the true feel of an epic. ... Kowal is a talent to watch."
--Marshall Payne, Tangent Online

"Another strong piece is Cerbo en Vitra ujo, the story of Grete and her attempt to find her lost boyfriend, Kaj, whom she fears is lost to the body harvesters. Mary Robinette Kowal's story is based on skilful world creation, with a complex social hierarchy that is seamlessly woven together to underpin this tale. ... Terrific."
--Alison Littlewood, Whispers of Wickedness

The "For Solo Cello, Op. 12" science fiction story is terrific. I read it twice. Nearly every sentence ties in to events that follow or precede, but without ever being ponderous. The story line is scary, emotional, reasonable and conflicting. I could almost anticipate what was coming, but I never quite got it right, which meant that I was seated on the edge of my chair in anticipation. Couldn't have been better.
Dr. Alan Finkel, owner of COSMOS

"'Locked In' by Mary Robinette Kowal is a nasty bit of text wedged into this issue. The other stories were safe, but this one is downright dangerous. The hazard comes, not from technology spinning out of control, but people's faith in technology being far misplaced. The true evil is in the people, not the tool. The darkness in this piece snuck up on me. This one is a powerful, short piece, not to be missed."
--Michelle Lee

"Kowal does a nice job with this story... it's short, to the point and elegant. It doesn't stray from the base idea and its implications...and its results. The story is clearly based in works like Dr. Jekyll and Mr. Hyde and other such period pieces, but it's only vaguely a pastiche of such works. ... This was probably my favorite of the issue, even above the Nolan and Glass pieces."
-- SF Observer

"Horizontal Rain is a reasonably short short-story, fewer than 2700 words, but Mary Robinette Kowal packs a good deal of story into those 2700 words. Confusion, fear, fairy tales, trolls, death, driving, construction, meetings, phone calls, and a general sense of unease as the harsh Icelandic wind blows the rain sideways."
--Joe Sherry, Adventures in Reading

"'Death Comes But Twice' by Mary Robinette Kowal is a style of horror (with a spike of science fiction) not seen often today. Obviously rooted in classics like Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde and Bram Stoker's Dracula, this tale of a medical experiment to ward off death addresses the reader directly and has a dark finale and the fine writing that readers have come to expect from Kowal."
Michele Lee --Tangent Online

"My favorite story was Mary Robinette Kowal's 'Death Comes But Twice' (Summer), in which a man finds a way to be revived from death, hopefully to live forever -- but there is a terrible catch."
Rich Horton

"[Cosmos's] fiction is consistently interesting -- always SF, often fairly near future focussed, as befits a popular science magazine in many ways. I really liked one of the 2007 stories, Mary Robinette Kowal's "For Solo Cello, Op. 12" (February/March), about a cellist who loses an arm, then gets offered a wrenching choice for a way to replace the arm. "
Rich Horton

"The final story in [Gratia Placenti], Mary Robinette Kowal's 'Tomorrow And Tomorrow' is yet another strong tale, concerning both a mother's love and a husband's hate. It is also a timely look at the idea of class systems and those who come from elsewhere; where, though being well educated and even well respected in their places or countries of origin, are forced to take menial jobs and face constant ridicule to survive in their new environment."
--Norm Rubenstein, Horrorscope

"Mary Robinette Kowal's Evil Robot Monkey is very short and bitterly moving, about an uplifted chimp."
--Rich Horton, Locus

"Mary Robinette Kowal's Portrait of Ari is a bittersweet tale of a couple, one of whom is perhaps not quite human, and how that fact alters their happy relationship."
--Rich Horton, Locus

"Early in 2007 the science-fiction imprint Solaris marked its launch with The Solaris Book of New Science Fiction. A year later, editor George Mann returns with a follow-up, this time featuring strong stories from Kay Kenyon, Michael Moorcock, Mary Robinette Kowal, Eric Brown and others. "
--The Guardian, Book Review

Mary Robinette Kowal's "Evil Robot Monkey," the shortest piece in this anthology [Solaris Book of New Science Fiction, Vol. 2], is a smart tale about monkeys with implants and a cautionary tale of how intelligence can sometimes be very lonely.
--Fabio Fernandes, The Fix,

"Concluding the anthology [Gratia Placenti] is Mary Robinette Kowal's futuristic "Tomorrow and Tomorrow", a tale of the desperate things people do for the sake of others, dare I say 'for the sake of pleasing' others. Entrapped by her desires and wants as well as her responsibilities for her family, we watch as one mother falls deeper into the side of darkness for all the right reasons."
Brenton Tomlinson, Horrorscope

Mary Robinette Kowal's "Evil Robot Monkey" is an affecting snapshot in the life of a chimp with an implant in his head that increases his intelligence. Unfortunately for him, that lands him in the "hellish limbo" of being "too smart to be with other chimps, but too much of an animal to be with humans." He becomes the subject of ridicule of children in what is presumably a school where he spends his time behind a pottery wheel. The interesting premise is delicately overlaid with emotion by having a single human show the chimp some compassion, resulting in a quick-and-dirty sf short story that is both charming and memorable.
--SF Signal

"Mary Robinette Kowal's 'Scenting the Dark' (Apex Online-Aug. 24) is enchanting, if not for the story itself, then for the intriguing use of a blind main character. An apt metaphor for a human exploring a new planet with only a few supports, this tale of space tragedy is textually vibrant, all without using the sense of sight."
--Michele Lee, Book Love

"Some good solid stories in The Solaris Book of New Science Fiction, Volume Two, edited by George Mann ... If I had to narrow it down to only two picks it would be 'Evil Robot Monkey' [by Mary Robinette Kowal] and 'Shining Armor.'"
--Gardner Dozois, Locus

“The Consciousness Problem” by Mary Robinette Kowal. The skills that have brought Kowal a Campbell award for best new writer are fully on display in this tale of identity and self in which a husband and wife team conducting advanced research into cloning and memory transfer discover the meaning of the phrase 'absence makes the heart grow fonder'. Serious literary qualities are woven through a well-known science fiction trope (cloning) resulting in a fresh new approach. Kowal has a deftness of touch and descriptive powers not all that common in contemporary SF.
-- Steve Davidson, Tangent Online

"Campbell Award-winner Kowal presents a broad spectrum of stories in her chapbook-slim first collection… This excellent introduction to her work is likely to make her new fans."
--Publisher's Weekly

The Bride Replete \"Kowal has created not only one fascinatingly alien society, but two, based on the same physiology. Pimi and her family don\\\'t quite seem human, but they are convincingly people, and not particularly ant-like. RECOMMENDED\"
-- Lois Tilton, Locus Online

\"Mary Robinette Kowal’s “Ring Road” chilled me straight through like a dip in an Icelandic pool. Crystalline in its mythological beauty, it played with the gods of the Vikings and broke my heart at the end so perfectly I read it twice to recapture the moment.\"
--Filamena Young, Innsmouth Free Press

\"Mary Robinette Kowal has delivered a debut novel to satisfy any and everyone. Shades of Milk and Honey is silky smooth and beautifully written. Kowal uses, on occasional, the style, spelling, and formality of Austen-era fiction, but does so in a modern manner to ease the reader through the novel. It works and works to the point that not only can I recommend Shades of Milk and Honey to readers who would never otherwise pick up this book, but I can also state that after finishing Shades of Milk and Honey readers will be ready for Glamour in Glass now and won’t want to wait for next year.\"
--Joe Sherry, Adventures in Reading

...the archtypical mythological human maiden impregnated by a god is as old as, well as old as mythology (and a variant of which is a core belief of Christianity), but, in “Ring Road,” Mary Robinette Kowal’s Nordic retelling is particularly chilling.
--Black Gate

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