First you start by taking the table firmly in your hands and saying, “Stupid table, you’ve got no future and you’re poorly designed.” If it still looks chipper, discuss the economy until you can get the varnish to peel. It shouldn’t take long.
In all seriousness, sometimes in theater we need a piece of furniture to look as if it was older. The process of taking a new thing and making it look old is called “distressing.” In the show that I did props on, the original show table broke and had to be replaced. Someone else picked up the new one, but I had to run over to the theater to distress the table.
I use a steel wool to dull the finish, a little paint for staining and honking big rasp to create dings and scratches. By honking big, I mean the about eighteen inches long and an inch wide.
On the way home, I’ve got all the tools in my bag and the rasp handle was poking out. It rested at my hip at almost the angle of a sword’s hilt. At one point, I passed this guy who tried to get me to stop and talk to him. Never works, but this time I got a story flash.
See, I always want to write stories with people in theater, but really need the fact that they are in theater to have an intrinsic role in the story. So, showing a props master at work on a show and the bag of tricks used and then getting to reuse those tools in very different ways later would be a lot of fun.
I mean, can’t you just imagine drawing the rasp like a short sword? And from the time or two that I’ve accidentally caught myself with one, those suckers hurt.
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