I did a color test on the botched head. The painterly quality tends to hide the glue spots, which is a bonus. Unfortunately, the hard line under her mouth shows where I didn’t get the seam tight enough.
I’ll let you in on a secret. Coraline only has one ear. The way her hair is done, only one shows so there just wasn’t a reason to put the other one on.
Her paint is asymmetrical, partly because I want to match Mr. McKean’s art, but also because I don’t like symmetricality in puppets. It is unnatural. Sure, people are mostly symmetrical, but not totally. For instance, my nose pulls to the left. One of my eyes is bigger than the other. If you look in the mirror, you’ll spot all the variations in your own face.
More importantly, though, creating an unsymmetrical face gives the illusion of life to a character, because the audience thinks they see the face change expression. Most of the time a face can be wildly asymmetrical and the audience won’t notice — but they will respond to the “changing” expressions on the character’s face.
This is the last of the head posts for awhile. I’m moving to the body next and will come back to the heads when I’m building the finals.
Article Series - Building Coraline
- Beginning to build Coraline
- Coraline’s face
- Paper and testing Coraline’s hair
- Drafting Coraline’s face
- The many faces of Coraline
- Coraline in color
- Coraline’s arms
- How many Coralines?
- Coraline’s torso
- Coraline: Correcting a pattern
- Coraline’s legs
- Attaching Coraline’s legs
- Coraline clothed
- Coraline: bad pattern. No biscuit.
- Coraline Assembly Line
- Shipping Coraline
8 Comments »